Sunday, November 8, 2015

"Mad Max v. Blade Runner: Of Politics, Opinions & Informed Decisions"


     Thanks to the widespread connectivity that communicative technologies afford our world, no other generation has been so supersaturated with opinions than right now. From the color of a dress to what unspeakable things should be done to animal abusers. Everyone has an opinion about everything and thanks to the internet, we are all privy to each and every one of them. Where the sharing of information and opinions can potentially facilitate the progression of our global society therein also lies the dangerous spreading of pathogenic concepts centered around misinformation and sensationalism. One has only to read a comment thread on social media concerning the current run for the presidential nomination to see what I'm talking about. But more on that a little later.

    I recently held a lengthy discussion with a good friend centering around a seemingly benign query. Which world would you rather live in: the world of the film Blade Runner or the world of the Mad Max series? A nerdy question indeed, but, one I already knew the answer to. Obviously, I'd rather live in the Mad Max world. Now, if you're familiar with both franchises you might be thinking why I'd go in this direction. The world of Mad Max is bleak, sparse and severe where the world of Blade Runner is full of sci-fi wonders and intriguing environments. I mean who wouldn't want to live in a fictional universe where you can live "off-world" and be awarded a synthetic human slave for doing so? On face value, yes, this seemed like the proper decision. Yet, on further inspection the reasoning for my decision can be elucidated from information key to both fictional worlds.

        Intrinsically, the worlds of Blade Runner and the Mad Max series are virtually similar. Both are byproducts of nuclear devastation where the human race struggles to survive. That's however where the similarities diverge. In Blade Runner the world is lush with technology and scientific progress. Conversely, the world of Mad Max is minimal yet alive with anarchic, tribal societies. Thematically, both worlds serve the purpose of aiding in representing the message conveyed throughout each narrative. Blade Runner centers around themes of existentialism and identity. Whereas Mad Max on the other hand, revolves around survival and the realities of unfiltered human nature.


        In Blade Runner, we follow alongside Rick Deckard as he tries to hunt down renegade synthetic beings on their quest for prolonged life and identity. The synthetic humans called Replicants are physically & mentally superior to their human masters but are limited by a four year life span. The setting is a futuristic Los Angeles cityscape populated by gargantuan corporate structures, multi-ethnic cultures and morose weather. Humans are coerced into leaving the planet to avoid propagating genetic damage from radioactive remnants of a nuclear war to future generations. By the film's end, we are left with questions as to whether Deckard himself is or isn't a Replicant or if it even matters. Our anti-hero leaves with the story's beauty who herself is a Replicant and their fate is open-ended. If both are doomed to eventually succumb to an expiration date is it really a "happy ending"? Moreover, if our destiny is predisposed is there such thing as free will? All heady ideas that were meant to be so open-ended that the producers forced director Ridley Scott to fabricate a more"traditional happy ending" to placate movie audiences. Clearly, they didn't understand what the film or its source material were trying to say about the world we live in.

        In the Mad Max franchise, the narrative is divided into four distinct films. Throughout the series we follow our protagonist Max Rockatansky as he tries to survive in a post-apocalyptic wasteland. He goes from being a police officer, to a wandering loner, to a hero, then to a ghost-like, mythic figure. Each arc in his journey he manages to bring civility and basic morality to those he encounters. Something like a punk rock version of the titular character in the film Shane or Jesus from the Bible. He overcomes the myriad ugliness of humanity and manages to reluctantly do right in the face of endless adversity. Each story is completed with some form of resolve and hint of a better life somewhere down the line. It's in this notion that the world of Mad Max is more attractive in my mind. In Blade Runner the characters create their own truths or perhaps overlook them as a means to avoid reality. Which even in a science fiction story is next to impossible if not highly improbable. In the Mad Max films the characters are always trying to overcome their reality and in various ways find hope. In the first film, Max overcomes the murder of his wife and child to become the warrior we see in later films. In The Road Warrior, it's the idea that a feral child can grow older into a tribal leader. In Beyond Thunderdome, it's the budding society created from children saved by Max. In Fury Road, it's the future of a society freed from the tyranny of a madman. In spite of all the hardships and horrors in Mad Max there is always hope where in Blade Runner there is only a secession to hopelessness and the environment reflects this.

         The reason I bring this story up is that I'm fully aware of the nuances for both Mad Max and Blade Runner. As a writer I also understand them on a technical level. I am aware of why the worlds these stories take place in are the way they are. Blade Runner's city is a metaphor for the inescapable reality of one's nature that's so grand and powerful it reaches into the sky and rains down endless amounts of filthy water. You're trapped by it. It consumes you. In Mad Max, the desert is representative of hopelessness and when hope is found there is also some form of oasis to harbor a better future. The desert is a place long used in storytelling as a place of contemplative inner-space. And, because of this in-depth knowledge I was able to formulate a concise reasoning for my choice beyond superficiality. My friend on the other hand, hadn't seen all the Mad Max movies and the ones he had seen he didn't remember. He also couldn't quite remember what Blade Runner was about either. He just remembered that the city in Blade Runner was "cool looking" and that informed his opinion and thus his decision. He made a superficial choice based on a superficial opinion.


         So, what exactly is an opinion? In essence, it's how we feel about or view something that isn't necessarily based on facts or knowledge. It's where Billy can love anchovies and Susie can curse their very existence. Where opinions can get dicey though is when those opinions facilitate decisions that have meaningful consequences on the lives of individuals or groups of individuals. Very much unlike the Blade Runner-Mad Max discussion. Vaccinations for example are still a hot topic in the cultural mainstream, and in spite of numerous scientific studies saying otherwise, there is a prevailing group who think they are harmful. What's the meaningful consequence? Diseases thought to be eradicated by vaccines reemerge and immune deficient members of society, namely children and the elderly, are placed in severe danger of contracting pathogens unnecessarily. Major consequences spawned from ill-informed opinions.

        Which brings us back to the 2016 presidential nomination and social media. Throughout many of the aforementioned comment threads I've read, there has been innumerable amounts of conjecture with little or no factual basis. Details like the specifics of a candidate's platform or their voting history are overlooked for soundbites, memes and oversimplifications. Most people generally have no idea what the realities of their candidates are outside of what they've seen on television or told by the media. It's all superficial thinking barely skimming the surface of an important aspect of American life. That being that the selection of a presidential leader in the United States is what democracy is all about. By not informing oneself of these facts and thus not having a clear picture of their candidates one belittles something that makes this country so great.

        Now, I've used a silly anecdote to illustrate something that I take very seriously. It is important to imbue our thinking with opinions that have some semblance of knowledge or facts. Or, as Speculative Fiction writer Harlan Ellison so eloquently put it, "You are not entitled to your opinion. You are entitled to your informed opinion. No one is entitled to be ignorant." Knowledge is power. Conclusively, our opinions should be like a skin we can shed once more information becomes available or is sought out. We can transform ourselves internally to create a better world. Because if we don't allow our opinions to change, then we run the risk of becoming stagnant or never progressing. Consequently, If our opinions are ill-informed then we make ill-informed decisions which have the potential for becoming long term negative outcomes. Our species, like countless others will then become like tears in the rain.

Saturday, August 1, 2015

My Five Song Playlist


King Krule - Borderline

What's not to love about that opening riff? King Krule (named after a Donkey Kong character) is Archy Marshall hailing from London. With it's amalgamation of R&B, Jazz & Hip-Hop, "Border Line" is a heartbroken, love song growled with melodic determination. Lines like, "The soul is broken down, borderlines // To cause the tide, to enforce the tide", you really get a view into the emotionally state this breakup has caused. 

Memory Tapes - Yes I know

The thing I love about Davye Hawke's music is his ability to build strange and beautiful atmospheres with his vocal and musical arrangements. "Yes I Know" is an ambiguous song, that to me is a lament to loss & regret. The lines, "You hear them far way, you call to stay //
But they're already gone to leading us away" make me imagine that this is about a friend who committed suicide. Who knows. But, that's the great thing about Memory Tapes; the songs are just open-ended enough to project your own narrative onto. 

The Flaming Lips - Be Free, A Way

I got into The Flaming Lips around the time I got into the Pixies and Sonic Youth (sometime in the mid-90's). Where the latter two have generally stuck to their established sounds and perfected them, The Flaming Lips experimented with various musical stylings. Which for me had a hit-and-miss effect that wax and waned my interest over the years. "Be Free, A Way" is such a beautiful & touching song. It's like being submerged in technicolor bliss and one of the best tracks from 2013, once again re-establishing my love of the band. 

Buffalo Springfield - Expecting to Fly

"Expecting to Fly" is my favorite track from Buffalo Springfield. It's the first band Neil Young was in and their formation is the stuff of music legend. If you haven't heard it, it's totally worth looking into. Young has a voice that is so counterintuitive to the norm in music that coupled with his lyrical choices creates an almost alien-like experience. "Expecting to Fly" is such a gorgeous piece and a poetic way to say goodbye to a fleeting love. 

The XX - Angels

Centered around the vocals and guitar work of band member Romy Croft, "Angels" is a minimalistic approach to the love song. Her harmonies are captivating and the reverb-heavy guitar perfectly conveys the seemingly painful longing in the lyrics. This track is their most well known song and easily my favorite off of 'Coexist'. The XX is a superb band and they deserve all the praise given to them.

Friday, July 31, 2015

Monthly Music Rundown


July: a time of summer showers and rising temperatures; all punctuated by great new music. Whether it's Electronica, R&B or straight up Indie Rock; this July saw the release of some great albums. Here's a rundown of my top picks for the month.

Veruca Salt - Ghost Notes
(July 10)


As someone who remembers the 90's fairly well, I recall Veruca Salt's "Seether" and to a lesser degree "Volcano Girls" as being music staples of the decade. Which I'm sure is hard thing for a band to shake. "Ghost Notes" is the band's latest album in nine years and they've managed to retain their sound while still being musically relevant. Much like The Breeder's return from hiatus in 2008, Veruca Salt proves they still have what it takes to produce quality music.

Notable Tracks:
"The Gospel According To Saint Me"
"The Sound Of Leaving"
"Black and Blonde"
"Triage"

Tame Impala - Currents
(July 17)



Encroaching on R&B sensibilities, "Currents" moves more into a dance-oriented direction than previous work.  The album was written, recorded, performed, and produced by primary member Kevin Parker, who meticulously labored over the album since the release of Lonerism in 2012. The title is indicative of the main thematic premise of personal transformation and identity as a man in a modern context. I can't say I loved every track of Lonerism, but I did enjoy the bulk of this album. 

Notable Tracks:
"The Less I Know The Better"
"Yes I'm Changing"
"Let It Happen"
"Eventually"
"New Person, Same Old Mistakes"

Ratatat - Magnifique
(July 17)



Recorded over the process of four years in several locations, Magnifique is New York's Ratatat's latest album in five years. Much hype was built around the album after the release of the single "Cream and Chrome" at Coachella and The Governor's Ball in April. It's safe to say that Magnifique does well not to let Ratatat's fans down. If you've loved their sound from previous albums you'll definitely feel at home with this new addition. 

Notable Tracks:
"I Will Return" (A cover of a 1971 Springwater song)
"Cream On Chrome"
"Drift"
"Nightclub Amnesia"

Wilco - Star Wars
(July 17)

"Star Wars" was presented as a surprise, free download on Wilco's website as a gift of sorts to their fans. It's for sure a Wilco album, and by that I mean a thoughtful, well-produced continuation of their sound. Each track is in themselves powerful stand alone pieces. They've always been a classic band and Star Wars can easily be described as a classic album.

Notable Tracks:
"Taste the Ceiling"
"More..."
"Random Name Generator"
"EKG"

Iron & Wine & Ben Bridwell - Sing Into My Mouth
(July 17)

A cover album featuring the likes of such acts as Talking Heads (for which the title is derived), John Cale and Sade. Sing Into My Mouth is a bitter-sweet mix of sadness and love. Ben Bridwell of the group Band Of Horses lends his vocals and guitar playing to this rich and emotional album. The best part of any covers album is what the artist brings to the original work and Samuel Beam & Bridwell take these songs into their own music domains. 

Notable Tracks:
"This Must Be the Place"
"Bullet Proof Soul"
"No Way Out of Here"

The Chemical Brothers - Born In Echoes
(July 20)

"Born In Echoes" is The Chemical Bros' first album in five years and features guest artists St. Vincent, Beck & Cate La Bon. The Chemical Brothers are known for continually putting out concise and quality music since their debut album "Exit Planet Dust". You either love their fusion of Dance-Rock-Rap or you don't. If you do, "Born In Echoes" won't disappoint.

Notable Tracks:
"Under Neon Lights"
"Sometimes I Feel So Deserted"
"I'll See You There"
"Go"

Vinyl Williams - Into
(July 24)

Where to start with "Into" by Vinyl Williams aka Los Angeles-based multimedia artist Lionel Williams? The best way to describe it is as a Psychedelic-Shoegaze journey across time and space. Williams draws influences from eclectic sources ranging from Egyptian BioChemistry to Russellian science. Which in turn results in esoteric soundscapes seemingly devoid of reason. It's experimental enough to be original yet grounded in a somewhat traditional music making process to be enjoyable.

Notable Tracks:
"Space Age Utopia"
"Gold Lodge"
"World Soul"

Evvol - Eternalism
(July 24)


"Eternalism" is Berlin-based Dark Wave duo Evvol's first studio album. The album is an ethereal mix of Art Of Sound and The Knife sensibilities. The two have created a sound that is all their own and has been described as playing "on dualities – light and dark, entrapment and escape, immersion and surrender." 

Notable Tracks:
"No Love"
"Four Steps Home"
"I See You (I Am You)"

Gwenno - Y Dydd Olaf
(Reissued: July 24)

Welsh-born singer/musician Gwenno Saunders uses the 1976 sci-fi novel (of the same name) as the basis for her latest album "Y Dydd Olaf". Technically a reissue from 2014; the album is too good not to make it on this list. Her dreamy retro Pop sensibilities transport you into a different time and at times a different universe. It's a fun album to fill spaces or just to space out with. 

Notable Tracks:
"Sisial Y Môr"
"Chwyldro"
"Patriarchaeth"

Field Music - Music For Drifters
(July 24)

The sixth studio release by English Indie-Rock trio Field Music. To me, this album has a mature quality to it that separates it from their previous work. It's subtle and nuanced. The tracks aren't trying too hard to show off and that's what I appreciate the most about Indie music. 

Notable Tracks:
"Batten Down"
"Quayside, Pt. 2"
"Hauling"
"Out of the Harbor"

Lianne La Havas - Blood
(July 31)

The second album release by singer, songwriter and guitarist Lianne La Havas; "Blood" is an immaculately produced album blending her own brand of Funk & Soul. Drawing inspiration from her Jamaican & Greek roots the album delves deep into Lianne's own blood. Her heritage & identity are all subjects methodically approached with thoughtful fervor. Definitely a personal album & one not to be missed.

Notable Tracks:
"Green & Gold"
"Wonderful"
"What You Don't Do"
"Unstoppable"


Honorary Mention:

De Lux - Generation (June 23)

Returning with a darker sound, De Lux's "Generation" is Post-Punk / Art Rock gold. The album was greatly influenced by the music of ESG, Can & the uninhibited lyrics of Karen Finley and it definitely shows. To me, this album reminds me a lot of Marque Moon & Talking Heads. Two of my favorite bands.

Notable Tracks:
"When Your Life Feels Like A Loss"
"Oh Man The Future"
"LA Threshold"

First Impressions: Wet Hot American Summer: First Day of Camp

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First off, I'm a big fan of the original Wet Hot American Summer. I was introduced to it by friends in high school and I still feel like it has a lot of originality to its humor. It played like an updated, more self-aware Meatballs. Where Meatballs derived humor from the camping experience, WHAS utilized a similar concept as a vehicle to also poke fun at tropes from movies & TV shows of the 70's & 80's; while also injecting scenes of absurdist comedy. 

 photo image_2.jpg When I heard they were bringing the original cast back to produce more content from the original concept I got excited. I was skeptical when I heard it was going to be prequel, but I decided to wait until I saw it to judge. I haven't even finished the first episode and I'm already noticing problems.

The idea to make it a prequel doesn't really work. The actors are noticeably aged and the original joke of older actors playing younger parts is even more of a stretch this time around. I guess that's the joke, but it's mostly just distracting. Some of the actors are drastically different from the first WHAS (and that's being polite about it).

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I feel like there's a missed opportunity to continue on the story in say the mid-to-late 90's as the original film alluded to at its conclusion. It would've opened up the humor to new jokes and characters, but what we get seems like a cashing in on an established, beloved movie without doing anything new or original. Which again, could be a joke in itself but I highly doubt it's THAT self-aware. Mostly because it doesn't play that way. 

Hopefully, as I watch more episodes my initial opinion will change. As these things often do. I will remain optimistic and open-minded.

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Thursday, July 30, 2015

Morning World & The Polarizing Effects of Change

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My first impression of the "Morning World" single by Teen Daze is that it's definitely a more "traditional" Indie Pop track. If there is such a thing. Teen Daze or Jamison (that's it, no last name given), has been praised for his atmospheric, electronic soundscapes and I think it's a great direction he's decided to move into. 

So often artists get pigeon holed into genres that could be seen as fads. For instance, Washed Out aka Ernest Greene is widely considered to be one of the progenitors of the Chill Wave genre. A scene that has been criticized for being a momentary blip in musical genre. Greene originally worked mostly with sample-based arrangements which he eventually found to be limiting when played live. He then went on to transform that frustration into the album Paracosm, which was recorded and performed in a more traditional fashion with noted success from fans & critics.

There's this elitist attitude against artists who use laptops and software to produce and perform their work and I feel like there's a type of legitimacy that people find in more analog or established means of creation. I think that's perhaps a component in the reasoning Jamison took in recording this album. Which has been stated to be recorded at the "all-analog" Tiny Telephone Studio in San Francisco. Teen Daze has been seen in the past utilizing a laptop & MIDI controllers (namely the Akai APC40) to perform his music.

Conversely, this type of transition isn't always welcomed by fans who have enjoyed the accustomed sound of their favorite bands. Daft Punk's 'Random Access Memories' or 'RAM' immediately comes to mind. Known for being a flagship act for the French House or French Touch genre, Daft Punk's previous albums used predominantly electronic & digital equipment to sample and mix their music. RAM on the other hand, was an homage to music production of the 60's & 70's. Even going so far as to use Nile Rodgers of Chic fame, who also produced numerous albums notably of the 70's & 80's eras on three of the albums tracks. The album was instantly polarizing to fans. Some really liked it, while others filled YouTube comment sections with their extreme distain for it.


Only time will tell if fans of Teen Daze will gravitate towards the album with open arms or openly express their dissatisfaction with the work. My guess is it'll be a bit of both. For what it's worth, the music of "Morning World" is of a high quality and in my opinion still in line with Jamison's previous work.

"Morning World" will be released by Paper Bag Records on August 14th. 


You can watch a trailer for the album here and listen to the titular track here


You can also pre-order the album here

Tuesday, April 28, 2015

My Five Song Playlist

 

 1.
"A Teenager In Love" - The Pains of Being Pure At Heart (The Pains of Being Pure At Heart)

I think we've all been in love with someone who is either in love with someone or something else, or they don't notice your affection at all. The fashion in which 'A Teenager In Love' comes across is that of a straight forward love song, but upon closer inspection it's really about unrequited feelings and that person you love who is self-destructive and emotionally distant. I like this song because on the surface it seems to be something else and it takes a keener look to elucidate truer meanings.

2.
"To Die In LA" - Lower Dens (Escape From Evil)

Another track about dangerous love. Lower Dens is slowly becoming one of my favorite bands at the moment. That would explain why they've made my playlist twice. This song has a fun tempo and I can't stress how much I love the vocals provided by Jana Hunter. The lyrics talk about being in love with someone who's definitely not relationship materiel and probably emotional abusive. The words are simple but there's just enough information to conjure up a sad narrative. In a lot of ways the song is hopeful as the person in the song learns to wise up and move on. Or as Dan Savage says, "Dump the motherfucker".

3.
"Cool Slut" - Chastity Belt (Time To Go Home)

And the fun songs continue. This time in the form of Washington State band, Chastity Belt. 'Cool Slut' is the anti-Slut Shaming anthem. We live in a society here in the United States where it's okay for men to be open and verbal about their sexual conquests but when women do it they are looked down upon and shamed. I'd like to think we are moving into a more progressive state but the reality is that it's still a very steep, uphill battle. I'm a staunch advocate for equality of any kind. Especially if that equality comes in the form of an awesome song. "It's okay to be slutty", and I agree.

4.
"Le Slow" - Granville (Les Voiles)

'Le Slow' is another feminist themed song. The lyrics talk of a woman who doesn't want to slow dance with a guy and that's she's not like other girls. She says that she's not like famous women either, in that she is not an object for a man to project his expectations or fantasies onto. This song has a great retro feel to it and the guitars are a perfect match for lead singer Melissa Dubourg's amazing voice. It comes off as cute, but it's really about female empowerment.

5.
"I Hope Time Doesn't Change Him" - The Drums (Encyclopedia)

Aside from the Emo undertones, The Drums have some great tunes. This song is slow and the lyrics are fairly minimalistic which I like. It's about falling for someone, perhaps in a platonic sense, and hoping (as the title states) that time doesn't change them. There are times when a person comes into someone's life and the relationship shifts as time progresses. I think most people can relate to not wanting things to change and hoping that a friendship stays exactly as it did at its apex. 'I Hope Time Doesn't Change Him' is a simple yet effective song that is all the while complex and visceral.

Monday, April 27, 2015

Music Video Monday


Iron & Wine - "Everyone's Summer of '95"

Passenger - “David”

Caribou – Can't Do Without”

Owen Pallett - “The Sky Behind The Flag”

Brittany Campbell - “Heroes”

RATATAT - “Cream on Chrome”

Friday, April 24, 2015

My Five Song Playlist: Hip-hop Edition



1.
"Juicy" - Notorious BIG (Ready To Die)
 
You can't have a Hip hop playlist without Biggie. With an amazing flow and beats produced by Sean "Puffy" Combs, BIG was the epitome of East Coast Rap. He was larger than life. The thing I love about 'Juicy' is it plays like an origin story. It opens with a dedication to his doubters and then goes into the the beginnings of his dreams reading magazines. 'Juicy' then goes onto his life of drugs and crime. "The Hustle" was definitely real for this young black man growing up poor in Brooklyn. The song concludes with the fame and riches he amassed through his struggles. What I love the most about this track is the message in the chorus about never giving up on what you want and following through with your dreams.


2.
"Dead President II" - Jay-Z (Reasonable Doubt)

With an estimated net worth of $520 Million dollars, Jay-Z knows a thing or two about "dead presidents". This track is somewhat typical of the genre, in that it's content is mostly boasting about wealth and street cred. I'd probably get a lot of hate for saying this, but I don't think it's the greatest written hip hop track ever. That being said, it's a testament to Jay-Z's abilities as a rapper to create a flow around clunky lyrics. Aside from Jay-Z's skills as a rapper, the thing I enjoy the most about this track is the production value behind the melody and beat. Produced by Ski Beatz, you can really tell his handle on the craft by listening to him talk about the process of creating it (which you can see here.)

Side note: The chorus features vocals from rapper Nas off his 'The World Is Yours' hit and sparked a long standing feud between the two that lasted up until 2005.


3.
"Lovin' It (feat. Joe Scudda) - Little Brother (The Minstrel Show)

 Another great track with a great beat. 'Lovin' It' is off 'The Minstrel Show' by rap trio Little Brother, which I consider to be one of the best hip hop albums in the last fifteen years. The lyrics are coherent, albeit, a bit more boastful than I care to enjoy, but they're clever and the rhyme scheme is nearly flawless. The album 'The Minstrel Show' is a concept album that satirizes television programs and stereotypes of modern Hip hop culture and the music industry. Comparing current trends in the demographic as being similar to that of the minstrel shows of the past. It's a smart album and indicative of the underground nature of the group. Little Brother is truly an underrated group and maybe that's for the best.


4.
"Heaven & Hell" - Raekwon (Only Built For Cuban Linx...)


Featuring fellow Wu Tang Clan member Ghost Face Killer, 'Heaven & Hell' is a philosophical journey into the psyche of those who grew up in poverty and saw violence as a means of protection and survival. The lyrics are pretty straight forward and there's hardly any wordplay to suggest any other meaning. The tempo is slow, the groove is somber and the rapping is cold and almost nonchalant. It's hard for most to understand why violence occurs in impoverished, Black communities and I could go on about the socioeconomic ramifications of historical trauma, but as my friend Julian always says, "that's not for here". Easily one of the greatest hip hop tracks of all-time, 'Heaven & Hell' is a hip hop classic for many reasons.


5.
"Do For Love" - 2Pac (R U Still Down [Remember Me])

 Infidelity, love, trust and strong emotions are staples of 2Pac's songs and those themes are all featured in 'Do For Love'. Posthumously released after the tragic death of Tupac Shakur and with the artist's mother's blessing, the track features Eric Williams of Blackstreet off the 'R U Still Down (Remember Me)' album. This song and its music video always reminds me of the television channel The Box, which used to feature popular music of the time that viewers could request via telephone. It has a simple yet affective bassline and sampled vocals from Bobby Caldwell's "What You Won't Do For Love". Pac was a master lyricist and talented rapper, his rhyme scheme was impeccable and every track he laid down was of superior quality.

Tuesday, April 21, 2015

My Five Song Playlist



1.
"Ojai Valley" - Teeel (Amulet)

Sounding a bit like Com Truise with vocals, Teeel came about at the tail-end of the "Chillwave" scene. New Jersey native, singer & producer Jim Smith has a good handle on synth music and he has a great voice. To me 'Ojai Valley' has a slight 'Eyes Without A Face' feel to it and that makes it that much more enjoyable.

2.
"Daydream" - Youth Lagoon (The Year of Hibernation)

Another music act I've had the pleasure of seeing live, Youth Lagoon (aka Trevor Powers) sounds just as good, if not better, live. 'Daydream' is a multifaceted musical experience accentuated by Powers' "worbly", youthful voice and his use of electronic equipment. Just when you think this track is taking you somewhere it goes into another direction all the while keeping you feeling like you're on the same journey.

3.
"Pink Stones" - Memory Tapes (Seek Magic)

One of the more ambient tracks off 'Seek Magic', 'Pink Stones' has a cool arpeggiated sound, with a trance-like beat that slips into a more textural feel. Like 'Daydream', 'Pink Stones' is also a miniature musical journey. It's a fun instrumental that leaves you fairly satisfied with it's four minute run time.

4.
"Over the Ice" - The Field (From Here We Go Sublime)

'From Here We Go Sublime' is probably one of the best electronica albums to come out in the past ten years. Swedish artist Axel Willner has this amazing ability of taking micro-samples from songs, adding minimal beats and creating some of the most emotionally impactful music. There's a lot to like about 'Over The Ice' in my opinion, but for me the best part is the vocal samples. There's something so cool yet grounding about The Field that makes you want to listen to more.

5.
"Dreary Moon" - Big Black Delta (Big Black Delta)

 'Dreary Moon' sounds like something from a David Lynch movie. It's beautiful and in some ways eerie and strange. The simple bassline and percussion matched with electronic strings build to amass a dreamy love song. The album 'Big Black Delta' by Big Black Delta has a lot of great tracks and this is one of my favorites.

Monday, April 20, 2015

My Five Song Playlist


1.
“Quo Vadis” - Lower Dens (Escape From Evil)

 I love Jana Hunter's voice and her lyrical melodies. There's a visceral quality to Lower Dens that sends you to another time. 'Quo Vadis' translates as 'where are you going?' and you can hear that sentiment in the lyrics and the yearning of the song. 'Escape From Evil' as a whole is a great album and totally worth a listen.

2.
“Off You” - The Breeders (Title TK)

 Released in 2002, 'Title Tk' is The Breeders third studio album. 'Off You' encapsulates the intimate and somber feel that is portrayed in much of 'Title Tk'. All you get is Deal's voice, guitars and bass. It's this rawness that showcases the minimal beauty of The Breeders and it's definitely may favorite off the album.

3.
“The Manx” - The Donkeys (Ride The Black Wave)

 Sounding like a lost track from "Endless Summer', 'The Manx' is lush surfy, guitar goodness. The Donkeys are a great kickback band and I love playing them when I'm sketching or writing. Their sound hearkens back to The Ventures-era surf rock and reminiscent of the cool breeze off the Pacific Ocean.

4.
“I Wish For You” - LAKE (The World Is Real)

I'm for sure a sucker for sweet songs and they don't get much sweeter than 'I Wish For You' by LAKE. At this point in my life, LAKE is an indelible musical aspect of my daily routine. So much so that I'm pretty sure my ears are full of cavities and they'll soon be coming to take a foot from diabetes. If you're ever feeling a'funk, play this song and it'll either get you to the root of the issue to take you away to sunnier pastures.

5.
“Meridian” - Bye Bye Bicycle (Compass)

Bye Bye Bicycle is one of the bands I discovered thanks to Pandora. They're a Swedish band who have a great ensemble sound that ranges from a slight disco feel to a more traditional indie sound. 'Meridian' is superb instrument and a great way to end the playlist. The guitars are perfect, the percussion on point and the saxophone is not overbearing. The band is awesome and their music is very eclectic. You can check out the bands website here for more.

Music Video Monday (pt. II)






Part II of this week's Music Video Monday features trippy, fantastical music videos from two Bears, a Bjork and a Banhart.

enjoy
...

1.
Panda Bear - "Boys Latin" 


2.
Bjork - "Wanderlust" (dir. encyclopedia pictura)
 (see a super-cut for the making of this video here.)

3.
Grizzly Bear - "Ready Able" (dir. Allison Schulnik)


4.
Devendra Banhart - "A Ribbon" (dir. Michel Gondry)

Music Video Monday (pt.I)






This week's edition of Music Video Monday features experimental, lo-fi music videos from Washed Out, video artist Geneva Jacuzzi and Prom Body (a band from my hometown Tucson, AZ.)

Enjoy... 

1.
Washed Out - "Belong (dir. Blake Salzman)

2.
"I Do Sad" - Geneva Jacuzzi (dir. Jennifer Juniper Stratford)

3.
"Guttuggering" - Prom Body (dir. Nika Kaiser)
"